Movies like blue (World / 2)
If you enjoyed blue (World / 2), you may also like The Fabelmans, I'm Thinking of Ending Things and One Last Adventure: The Making of Stranger Things 5. These recommendations share similar themes, tone, or genres, making them great choices for your next watch.
The Fabelmans • Movie • Rating 7.6 out of 10
I'm Thinking of Ending Things • Movie • Rating 6.5 out of 10
One Last Adventure: The Making of Stranger Things 5 • Movie • Rating 7.2 out of 10
Obi-Wan Kenobi: A Jedi's Return • Movie • Rating 6.8 out of 10
Sketch • Movie • Rating 7.1 out of 10
My Mom Jayne • Movie • Rating 8.0 out of 10
Paperman • Movie • Rating 8.0 out of 10
Game of Thrones: The Last Watch • Movie • Rating 7.0 out of 10
Sometimes I Think About Dying • Movie • Rating 6.8 out of 10
Capturing Avatar • Movie • Rating 7.0 out of 10
Symbiopsychotaxiplasm: Take One • Movie • Rating 6.8 out of 10
Nude • Movie • Rating 9.3 out of 10
Maria by Callas • Movie • Rating 7.3 out of 10
The Walking Dead: The Return • Movie • Rating 7.3 out of 10
Kodachrome • Movie • Rating 6.8 out of 10
Real Life • Movie • Rating 6.6 out of 10
A Woman of Paris: A Drama of Fate • Movie • Rating 6.7 out of 10
Guillermo del Toro's Pinocchio: Handcarved Cinema • Movie • Rating 7.5 out of 10
Dangerous Days: Making Blade Runner • Movie • Rating 7.8 out of 10
Black Mirror • Movie • Rating 7.8 out of 10
What is blue (World / 2) about?
The September sky over Mount Gassan. Carrying an 8mm camera fitted with a wide-angle lens and an ND filter, I descended the mountain while turning the bulb crank, performing long exposures along the way. With each step, the body swayed. That movement was inscribed onto the film through dappled sunlight filtering through the trees. The blue of the sky, the white of the clouds, and the green of the leaves merged and mixed directly on the film surface. This work marks the beginning of the “light drawing” series using 8mm film. While employing the methodology developed in the previous work Prominence, this piece moves away from its static approach. Instead, it embraces the unavoidable blur inherent in the process and incorporates it more actively, treating motion itself as a dynamic element of the image. The story is brought to life by director Kawaguchi Hajime. With a runtime of 3 minutes, it offers a concise viewing experience.