
Lynda Benglis
as
If you enjoyed Document, you may also like A Toxic Love Story, John Candy: I Like Me and Wick Is Pain. These recommendations share similar themes, tone, or genres, making them great choices for your next watch.
A Toxic Love Story • Movie • Rating 6.4 out of 10

John Candy: I Like Me • Movie • Rating 7.8 out of 10

Wick Is Pain • Movie • Rating 7.4 out of 10

Game of Thrones: The Last Watch • Movie • Rating 7.0 out of 10

Avatar: The Deep Dive - A Special Edition of 20/20 • Movie • Rating 7.2 out of 10

Being James Bond • Movie • Rating 7.8 out of 10

Come See Me in the Good Light • Movie • Rating 7.3 out of 10

My Mom Jayne • Movie • Rating 8.0 out of 10

Marvel Studios Assembled: The Making of Hawkeye • Movie • Rating 7.2 out of 10

Fuck • Movie • Rating 6.4 out of 10

S4: The Bob Lazar Story • Movie • Rating 8.3 out of 10

Naqoyqatsi • Movie • Rating 6.2 out of 10

McQueen • Movie • Rating 7.4 out of 10

The Walking Dead: The Return • Movie • Rating 7.3 out of 10

Guillermo del Toro's Pinocchio: Handcarved Cinema • Movie • Rating 7.5 out of 10

Public Speaking • Movie • Rating 7.0 out of 10

It's Never Over, Jeff Buckley • Movie • Rating 7.8 out of 10

Seduced and Abandoned • Movie • Rating 6.2 out of 10

Aquaman: Heroines of Atlantis • Movie • Rating 6.2 out of 10

Love, Gilda • Movie • Rating 7.2 out of 10

Two disembodied male colleagues direct Lynda Benglis, who sits between a monitor and a camera lens loudly exclaiming her vision for the video we’re watching. Playing with the idea of originality and how the reproduction of images troubles fine art categories, Benglis affixes a double portrait of herself to the monitor screen and draws moustaches on both likenesses. Document ends with Benglis writing the video’s title and “copyright, Dec. 1972” directly on the monitor underneath the photograph, validating this video accomplishment as an original artwork. It blends documentary elements. The film reflects a distinct United States of America style and perspective. The story is brought to life by director Lynda Benglis. With a runtime of 6 minutes, it offers a concise viewing experience.