
Edie Sedgwick
as Edie Sedgwick
If you enjoyed Outer and Inner Space, you may also like Mercy, Ex Machina and Lovelace. These recommendations share similar themes, tone, or genres, making them great choices for your next watch.
Mercy • Movie • Rating 7.1 out of 10

Ex Machina • Movie • Rating 7.6 out of 10

Lovelace • Movie • Rating 6.0 out of 10

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Simulant • Movie • Rating 5.9 out of 10

Rememory • Movie • Rating 6.1 out of 10

Love Me • Movie • Rating 5.9 out of 10

The Trials of Cate McCall • Movie • Rating 6.4 out of 10

Tropic Thunder: Rain of Madness • Movie • Rating 6.8 out of 10

Tuesday • Movie • Rating 6.7 out of 10

Tour de Pharmacy • Movie • Rating 6.7 out of 10

The Other Side of the Wind • Movie • Rating 6.7 out of 10

7 Days in Hell • Movie • Rating 6.5 out of 10

Symbiopsychotaxiplasm: Take One • Movie • Rating 6.8 out of 10

Happier Than Ever: A Love Letter to Los Angeles • Movie • Rating 7.8 out of 10

Isn't Life Terrible? • Movie • Rating 6.1 out of 10

The Mistral • Movie • Rating 7.2 out of 10

Fiddling Around • Movie • Rating 5.5 out of 10

False Alarm • Movie • Rating 8.0 out of 10
False Aging • Movie • Rating 6.2 out of 10
Slick Sleuths • Movie • Rating 6.0 out of 10

The Gibson Goddess • Movie • Rating 4.2 out of 10

Ants in the Plants • Movie • Rating 7.1 out of 10

The Ducktators • Movie • Rating 6.2 out of 10

20,000 Employees Entering Lord Armstrong's Elswick Works, Newcastle-upon-Tyne • Movie • Rating 6.3 out of 10

Long Distance Wireless Photography • Movie • Rating 5.5 out of 10

The Fireman of the Folies-Bergere • Movie • Rating 5.7 out of 10

Athlete with Wand • Movie • Rating 4.0 out of 10

Hallowe'en • Movie • Rating 7.0 out of 10

Goofy Movies Number Two • Movie • Rating 6.6 out of 10

The Barnyard Concert • Movie • Rating 5.7 out of 10

Luis Martinetti, Contortionist • Movie • Rating 5.3 out of 10

The Skipping Cheese • Movie • Rating 5.8 out of 10

Max Takes a Bath • Movie • Rating 6.2 out of 10

Listen To Some Words of Wisdom • Movie

A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is that it sometimes creates the rather strange illusion that we are watching Edie in conversation with her own video image. The film reflects a distinct United States of America style and perspective. The story is brought to life by director Andy Warhol. With a runtime of 33 minutes, it offers a concise viewing experience.