Movies like Release
If you enjoyed Release, you may also like Kill Bill: The Whole Bloody Affair, Blink Twice and I Spit on Your Grave. These recommendations share similar themes, tone, or genres, making them great choices for your next watch.
Kill Bill: The Whole Bloody Affair • Movie • Rating 8.1 out of 10

Blink Twice • Movie • Rating 6.7 out of 10

I Spit on Your Grave • Movie • Rating 6.5 out of 10

Antichrist • Movie • Rating 6.6 out of 10

Xiu Xiu: The Sent-Down Girl • Movie • Rating 7.2 out of 10

I Spit on Your Grave 2 • Movie • Rating 6.3 out of 10

Saturday Night Fever • Movie • Rating 6.7 out of 10

The Beaver • Movie • Rating 6.4 out of 10

Mary Shelley's Frankenstein • Movie • Rating 6.4 out of 10

Maniac • Movie • Rating 6.0 out of 10

Grindhouse • Movie • Rating 7.0 out of 10

The Swan • Movie • Rating 6.8 out of 10

The Trials of Cate McCall • Movie • Rating 6.4 out of 10

The Wave • Movie • Rating 6.0 out of 10

Strange Weather • Movie • Rating 5.9 out of 10

Living in Oblivion • Movie • Rating 7.2 out of 10

Wasp • Movie • Rating 7.2 out of 10

Curve • Movie • Rating 7.0 out of 10

Born to Be Bad • Movie • Rating 6.0 out of 10

Nothing Personal • Movie • Rating 6.5 out of 10

What is Release about?
RELEASE stages once again the trivial literary film "topos" of the white woman in front of monster, and does it with relish and with violence (King Kong 1932). But Girardet proceeds in a highly artificial manner. Artificiality, anonymity and fragmentation are elaborated as the characteristics of the subject in a highly dramatic exercise. The image of the subject is defined using precise manipulation as a Dante-like ritual of agonies. His mode of working with its rapid invasion, and editing, which has only become possible in the nineties, means the destruction of the subject. Girardet's formal capacity and artistic moral is documented by the fact that he creates a temporal structure which pushes the presentation of hysteria to its limits (or even beyond them). He starts with the image of the idol and ends by destroying it. (Barbara Alms) The story is brought to life by director Christoph Girardet. With a runtime of 10 minutes, it offers a concise viewing experience.